In the early years of the wonderful Yew tree, 1999 to be exact! Yamadori rarely comes with a good root base and this tree was no exception. Imagine a catapult upside down; the roots went in two directions with a large gap between, I needed to lower the tree in the pot; this was not possible without radical work.
I was moving the tree to a beautiful Gordon Duffet pot, perfect in every way for this bonsai.
Using a Matika I carved out the bulk of the deadwood at the base of the tree, this enabled me to lower the tree however the live vein still protruded, I needed split the live away from the deadwood. I did this using a large branch splitter and inserting a stone to keep the vein in place. A wire was secured to stop the vein from further splitting and possible folding and snapping off. I remember some of my fellow artists thought I was crazy doing this radical work on such an amazing tree… its common work now… back then in then UK NOT common at all. To get the very best out of your material you must be prepared to do this.
If you look closely at the base of the tree you will see a small stone that I found to mimic a root, the stone has a ‘red’ part that appears to be a root!
The tree stayed with me for a few years and then I passed on the tree to Dan Barton as it was his favourite, using a graphic of the tree as his ‘Logo’. The tree remained mine but was in his custody. This tree is to be auctioned for Cancer Research next year, so now is your chance to own a piece of my and Dan’s bonsai history!