I have had this Yew for over 20 years and it has had major bending done on the lower part to bring the foliage closer to the trunk, this took 3 years to fully ‘set’ and stay in position. The tree was exhibited last year on a pile of book at the Noelanders Trophy and most liked the display and a few traditionalists were horrified. Over the years the tree has been in a variety of pots some crazy… and some not. This is because the tree has been like a petulant child, difficult making the tree do what I want. And finding the best pot has been a challenge.
I have always had issue with the distance of the foliage in relation to the trunk line, combined with the lower trunks movement has never fully been utilized. Having done such extensive carving to reduce the bulk of the upper part the live vein was thinned to a flat part at the rear of the tree. With a bit more carving to thin out the deadwood bending this area would be a simple process. This would pull the tree together and solve a lot of the awkward shapes and angles in the tree. The wire was held in place with cable ties and the tree was bent through and angle of 30º I did not wrap the tree with raffia because the bend was so subtle and the wires and ties held the whole together well.
I am very happy with the final dynamic appearance; I love the angle of the Ten Jin, the movement of the lower trunk and the compact nature of the whole image. The training pot will help the tree thicken up the live vein and meanwhile I can concentrate on filling out the foliage.
Here are some early photos of the development and crazy pots followed by progress photos of the bending done.
- The Raw Yamadori
- A rather young Tickle doing early work on the tree
- Original deadwood
- The first bend in the lower Trunk
- Training Pot
- The deadwood before the first reduction in 2014
- In Stone Monkeys pot
- In the Ball Pot
Hi Tony – was this yew from an urban/suburban setting or a more mountainous terrain? Reason I ask is that I’m living around some very collectible urban yews, but rarely find things worth collecting out in the woods.
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This was from a mountain location, slow growing so the deadwood is very hard. garden yews wood is not as hard as it grows fast.Collect a few stumps you will be surprised what you can do,
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Thanks Tony, will do, I’m very excited for the March.
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Nice Tony,just proves you don’t always have to stick with your first efforts,I think that is what bonsai is all about…………constant improvement. Russ
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Thanks Russ, you know when you are not happy with something… you got to change it!
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