Take advantage of this rare opportunity to learn from the world-renowned bonsai master, Masahiko Kimura. In his first ever online class, Mr. Kimura demonstrates his unique approach to Bonsai design. He reveals a life-time of cultivated knowledge and his own personal techniques to achieve results in a short amount of time.
This Masterclass is recorded in Mr. Kimura’s private workshop and consists of two long-format case studies. Each case study begins with a discussion of bonsai aesthetics and design options, followed by an explanation of the applied techniques:
Setting the main structure of a tree
Shaping the apex
Importance of negative space in Bonsai design
And moss cultivation.
You can expect 14 lectures with over 4 hours of video tutorials with lifetime access. Be sure to watch the free lecture for a taste of the contents!
When I returned from the Czech Republic I saw that my Chuhin white pine had a huge amount of flowers, it was obvious the tree was healthy but there were so many that it would suffer if they were not removed, I mostly work with native European trees and my experience with imports is limited.
This from my good friend Mark Cooper on EBF: “One has to be very careful and gentle when removing the juvenile flowers buds though so as not to lose any new candle buds.
Pinching out the buds one at a time
However, if the new candle emerges on such a long “leg” due to an abundance of large flower buds beneath it (rendering it of no use), what we do is let the candle fully open and ripen and then cut that shoot (and most of the leg) off nearly back to last year’s growth, and hopefully some back budding may occur. This assumes that the tree is healthy, well fed and vigorous. Usually only one flush of growth happens in one year here… it’s primarily about directing/ controlling the tree’s energy to where you want it, and then about shape/ pad profile.
Taking care not to damage new needles
So in weak/ inner areas prune lightly (say 25% reduction) or not at all, and harder in stronger areas/ apex. One also has to keep in mind pad shape whilst candle pruning in refined trees too.”
I could not have put it better.
I estimate that I removed over 1500 buds from this little tree. The tree is strong and well fed and it will be kept in the greenhouse if the weather turns inclement. I will be removing the candles in a few weeks time to maintain the pad profile, and if we have a better summer than the last three hopefully new needle buds will show themselves.
My great friend Michael Mehrmann has let me share this wonderful video of six amazing trees from Omiya, the video is in High Definition so watch it in full screen to enjoy all the detail of these fabulous Bonsai.
The five featured trees are
To watch in full screen HD click the small arrows in the bottom right of the video
For my personal collection I have always worked on native European trees, this is for three key reasons. First: I live in the cold wet north of England and working on local material should give me the best chance to create bonsai that will thrive and survive in my climate. Second availability of good ‘imported’ material, for sure GOOD raw material worth buying was in short supply when I started in bonsai 30 years ago, simply put the trees coming out of the far east were the runts of the litter, we got the crap that that they did not want. Thankfully that appears to have changed over the last few years as the art is in decline in Japan more material is becoming available and at the right price. Third: Most material coming from the Far East is either ‘finished’ or ‘semi-finished’ I am an artist who prefers to work with totally raw material even though it takes longer, the satisfaction is greater.
This year however a Chuhin White Pine caught my eye… It displayed all the attributes and potential to create a great tree… Almost 100% of imported White Pines (WP) are grafted on Black Pine (BP) stock, this is done because BP is stronger and the bark quality is great, the problem is the graft is usually so prominent to render the tree quite ugly because the transition from Black to White is pronounced. On my tree it is almost invisible.
The tree was very healthy, had an abundance of foliage, good nebari, movement and taper… all things that you should look for when purchasing a bonsai, I was smitten… I bought my first ‘import’. Immediately after purchase it needed repotting as it was pot bound (this was why the price was favourable) I slip potted the tree into a lovely Dan Barton Pot.
That was six months ago, this week with the help of Mikey I completed the styling started by Hans van Meers and a few of the guys at the Burrs Event… THEY were supposed to complete the tree but never got past needle plucking and wiring a few branches… I believe beers and chatting got in the way! So it was down to me and Mikey to do the work.
The tree had an abundance of needles that needed to be removed. After selecting those branches I no longer required we set about wiring the remainder. This took over seven hour’s work fine wiring and bud selection. WP only has one growth per year and back budding has to be carefully managed, this first styling involved branch placement and random bud removal with a view to the final image being a refined fuller canopy in a couple of years.